Cherry Audio Forums

Just load it up with voltage and it'll go to the full range! It'll max out to the full value with a nearly 60V input. It was designed this way because a typical LFO would just make it too wild. Rather, if you stack many forms of modulation, they can only occasionally sum to higher values and provide...

Sure thing - will look into it... (I think it's easy, but don't remember if there's anything funky here)

Glad to be helpful!

Yes Reid, but that's why I used hedged langiage like massive and significant changes. My conjecture is that such subtle effects are essentially imperceptible outside of fairly artifically constructed situations. Otherwise stereo would never have caught on. It's part of a philosophical argument I ha...

So, I was recently working on a somewhat unique oscillator with a very specific sync capability, and certainly, it provided a case where even a well-trained ear wouldn't hear a difference in sound with the one sample delay that occurs b/c the sync pulse goes through a wire, but which would compromis...

Sample delay already in the works... I'd been interested in updating the addition fader for a bit, so I just went from there.

And the nice thing is that you can sort of add faders a la carte and then rearrange them at the end, into a single mixing board:

A bus would look like this, where individual sources each go through their own AF and meet at the input of one more AF (and again, you can use the bus feature to do this with less wires everywhere):

Or maybe, you want something like this, where any number of things go to the same fx loop. This requires more wires, but it can be done very nicely by using the bus feature (right click a jack and choose a bus/add new buss) going to the AF (here, it'd replace the pink wires). Screen Shot 2023-02-18 ...

Or, a post-fader version could look like this, where the AF output is diverted to an effect/2nd AF, and then joining at the next set of link inputs.